That is not me. That is Leif Erikson, symbol of all Scandinavian peoples in Seattle. He stands watch over the harbor at Shilshole Bay, not far from the formerly Scandinavian enclave - and now home to hipsters - Ballard.
This was my first time back to Seattle since 2006, and only my second time since leaving in 2004. I had lived there for 14 years. Long enough to call it my second hometown. Definitely long enough to tell people I was "from" Seattle.
I had been gone for 10 years. That's long enough to now see it as a new place, for two reasons. The first, because by 10 years whatever psychological or metaphysical associations you have formed have had enough time to, if not vanish, completely fade into the background. The sharp emotions related to favorite places or tied to events that happened on specific street-corners have now softened, like color fading from a favorite garment as it gets worn over and over, so many times you begin to forget when you bought it or why you liked it so much.
The second reason is that a city like Seattle, situated on the Northwest Coast of the United States, looking West to the Far East, North to Canada, and South to California and even Mexico, and home to more immigrants than natives, a constant give and take of newcomers vs those moving on, is a city that will change a lot in 10 years. Much of my second hometown was, by now, completely foreign to me.
But some important things were still familiar. Puget Sound, that placid, silent expanse reflecting calm through downtown and up into the surrounding neighborhoods, perched on their hills. And Lake Washington, gently cradling Seattle's backside and taking the sense of zen to even deeper, stiller depths. These are two Seattle truths that will never change, and that I gladly looked upon from every angle as we motored around, gawking at everything else that had.
Another thing that has not changed is the multiple variations of darkness. If Scandinavians have over 100 words for snow, I think Seattleites could have as many for the varying shades of the dark. The sparkling of a cloudless nighttime, the blanket of nighttime with clouds, nighttime with rain, dark but shiny, late afternoon with rain, a time when the darkness is diffuse and blended, dawn with clouds - the dark struggling to keep the light at bay, and 5PM on Halloween, when darkness drops suddenly like an anvil on a cartoon character's head. All of them, and hundreds more, their own unique shade of dark.
Once when we were living in Seattle, a brother came to visit from Las Vegas, where he was living at the time, boating on Lake Mead, dining al fresco, flirting with golf, etc. On the second or third day of his visit, literally in the middle of the day he exclaimed, not kindly, "It's like permanent twilight here. Where in the hell is the light?"
Now we were there at the end of January, and his comment kept coming back to me. In my mind I had associated this lack of light with unhappiness. I am not sure why. This time I found the darkness comforting.
It could be that we were spending time with friends and family, and that brings warmth to the darkness. For instance, it was the start of the Chinese New Year, and one of our dearest and oldest friends invited us to her family's house for a Chinese New Year feast. Sitting around the table, eating at least a little bit of each of the eight dishes prepared (there has to be eight, it is a timeless tradition) while the rain fell feebly but the wind blew icily, I couldn't think of anywhere else I would rather be.
It wasn't just the food, as fantastic a home-cooked Chinese New Year Feast as it was, but the feeling of being with friends and the people who raised them, enjoying a tradition that had been repeated for decades. In this situation the darkness envelopes you, and holds you comfortably in a warm embrace.
Another great way to experience the power of darkness is to drive around on a winter's day. Not just any day, but one of those days when sunshine, clouds and wind all try to outdo each other. The shadows get cast about in so many different ways its like watching a movie in the middle of your own reality. The shadows improvise on themes coming from your own brain. When I had lived there I spent days like this looking for the sun, hoping to catch it as it shown intermittently. This time I watched the shadows.
Oh, and it helps if you stop for excellent coffee (available literally anywhere) and delicious pastries (in the picture above at Honoré Bakery in Ballard). That makes everything more interesting.
Or you could spend the evening in another friend's basement, re-done in warm dark tones of brown and orange, listening to music on vinyl, eating a comforting pork-chop meal, finishing the evening with a 30-year old Armagnac.
On an evening like this, everything is dark and all colors blend and sway, as if you are standing at the bottom of a warm sea. It is cold outside, and the sky is almost pitch black, save for a faint glow that seems to emanate from deepest space. The big Washington fir trees appear black as well, at first, but then their muted green begins to distinguish itself as they shimmer in the wind.
On nights like this you dance and act silly, laughing while the trees sway. Then you sleep late and wake when the sun is high overhead.
And there Leif stays, watching over seemingly all of Puget Sound. When I first saw this statue I found it a bit menacing, as if Leif was sizing the place up for a good old fashioned midnight Viking pillaging. But I was mistaken.
Looking at this statue now, I saw Leif as a protector, holding evil at bay so his beloved Seattleites could live in peace and contentment. As long as he watched over us, we had nothing to fear, not even the dark.